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(一)自十九世纪以来,中国的封闭状态被打破之后,越来越多的人自觉地把中国和世界联系起来。谈文学的人自然也不例外。由此,在文学批评、理论和文学史研究方面,世界文学与中国文学的关系成了一个引人注目的命题。对于中国人来说,这或许是一个很深刻的话题。这里所谓深刻至少有两层意思,一是就中国和世界的关系而言,它触及到中国人的一种很深亦很敏感的文化心理.牵涉到中国人几千年形成的世界观念以及在近一个多世纪以采的新变化。二是就中国文学的当代性而言,仍然存在着走向世界和保持民族气派与风格的问题。显然,作为一对有关联的文学
(A) Since the nineteenth century, when the closed state of China was broken, more and more people consciously linked China with the world. People who talk about literature are no exception. As a result, the relationship between world literature and Chinese literature has become a striking proposition in the study of literary criticism, theory and literary history. For the Chinese, this may be a very profound topic. There are at least two meanings deep here: first, it touches on the deep and sensitive cultural mentality of the Chinese in terms of the relations between China and the world, involves the Chinese concept of the world formed for thousands of years, Nearly a century to take the new changes. Second, as far as the contemporary nature of Chinese literature is concerned, there are still problems of going to the world and maintaining the style and style of the nation. Obviously, as a pair of related literature