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张艺谋导演的《金陵十三钗》以中国的抗日战争时期为时代背景,服装风格定位独特而又让人意味深长。张艺谋在整部电影中服装色彩选择丰富,区别了以往中日战争题材的电影视觉,而且张导演善用服装定位,这不仅能够让观众理解更具效率,还能够由此而提升视觉冲击。本文便是以服装为切入点,从救赎、镜像和影像三个方面对其分析,由此实现对《金陵十三钗》的解读。
Zhang Yimou’s director “Jinling 13 Hairpin” to China’s anti-Japanese War as the background of the times, clothing style positioning unique and meaningful. Zhang Yimou’s rich selection of clothing colors in the whole movie distinguishes the cinematic vision of the Sino-Japanese war theme in the past. Moreover, Zhang makes good use of costume positioning, which not only enables the audience to understand more efficiently but also enhances the visual impact. This article is based on clothing as the starting point, from salvation, mirroring and image analysis of its three aspects, thus achieving the “Jinling 13 hairpin” interpretation.