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在文化方面,也正像在政治方面一樣,西歐國家愈來愈陷入對他們底大西洋彼岸的保護人的依賴。雖則‘現實主義’藝術家或者某些勃鲁姆和拉依特型的年青藝術家,顯然是美國资產階級‘藝術’的本身產物,但是大部分那許多派別和藝術家都是從歐洲進口的。近一時期來,反動的、世界主義的形式主義和自由主義底中心,已逐漸由歐洲移向美國,而它的有毒的影響,又從美國反過來傳播列西歐的藝
Culturally, just as politically, Western European countries are increasingly drawn to their dependence on the protection of their people on the other side of the Atlantic. Although ’realist’ artists or some of the young artists of the Bullum and Laiettes are clearly the product of the ’bourgeois’ art of the United States, most of those factions and artists are imported from Europe. In a recent period, the reactionary and cosmopolitan formalism and liberalism center have gradually shifted from Europe to the United States. Its poisonous influence has in turn spread the art of Leo from the United States