论文部分内容阅读
多年以来,我们对现代龙泉窑的装饰技法进行理论探讨与艺术实践时,涉及到如何对待工艺的地域性与艺术家个性表现;如何把沉淀于传统青瓷文化中的理性精神与时代审美品格相结合;如何继承传统龙泉窑文化遗产与发现龙泉青瓷发展的时代活力等诸多问题。这些问题实质上可以归结为传承与创新两大主题。从这一时代背景出发,并结合自身的创作实践,本文着重关注的是当代龙泉陶艺家对传统装饰技法的总结以及在此基础上新方法的运用。这里不但涉及到传统龙泉窑装饰技法的发展,还涉及到其他陶瓷装饰技法与龙泉材料的结合与运用。一、对于传统龙泉窑装饰技法的重新认识今天,当我们面对整个龙泉窑系留下的丰富艺术遗产时,如何把龙泉窑陶瓷艺术的精神传承
Over the years, we have discussed how to treat the regionalization of craftsmanship and the individual performance of artists during the theoretical discussion and artistic practice of the decorative techniques of the modern Longquan kiln. How to combine the rational spirit that has settled in the traditional celadon culture with the aesthetic qualities of the times? How to inherit the traditional Longquan kiln cultural heritage and discover the vitality of Longquan Celadon and many other issues. These problems can be attributed in essence to the two main themes of inheritance and innovation. Starting from the background of this era and combining with my own creative practice, this article focuses on the summary of the traditional decoration techniques by contemporary Longquan potters and the application of new methods on the basis of this. Here not only involves the development of traditional Longquan kiln decoration techniques, but also involves the combination of other ceramic decoration techniques and Longquan materials. First, the traditional Longquan kiln decoration techniques to re-understand Today, when we face the entire Longquan kiln left behind the rich artistic heritage, how the spirit of Longquan kiln ceramic art heritage