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吴冠中画江南小景,带着记忆的乡愁,构图常常点缀以燕子。他标明是墨彩画而带了燕子的作品,典型的有《双燕》《秋瑾故居》《高空谱曲》等。他说:“燕子来自我的故乡江南。我与燕子是乡亲,她们经常出现在我的画面中:双燕、群燕……是画中线、面间的联络员,是占领空间的哨兵。”(《吴冠中画作诞生记·高空谱曲》)《双燕》和《秋瑾故居》,墨块与线条爽利勾画,大刀阔斧,黑白对比明快简洁,以轻巧的燕子做点缀,暗示房屋虽已老旧,家国与精神却不朽。但是,我看本期封面这幅《江南春色》的时候,却暂时产生了困惑——白墙、灰瓦、
Wu Guanzhong painted Jiangnan small King, with memories of nostalgia, composition often embellished with swallows. He marked the ink painting with a swallow’s work, the typical “double Yan” “Qiu Jin’s former home,” “sky music” and so on. He said: “Swallows come from my hometown Jiangnan. I and swallows are folks and they often appear in my picture: Shuangyan and Qunyan ... are the liaisons of midline and interplanetary, and the sentries who occupy space. ”(“ Wu Guanzhong birth Naoguang record ”)“ Shuangyan ”and“ former residence of Qiu Jin, ”ink blocks and lines crisp sketch, drastic, black and white contrasts bright and concise, with lightweight swallows do embellishment, suggesting that although the housing Old, home and spirit are immortal. However, when I look at the cover of this issue of “Jiangnan Spring,” I was temporarily confused - white walls, gray tiles,