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我接到许多观众和各界同志们的来信,提出了各式各样的问题和要求,其中有许多同志让我谈一谈创作经验。我并不是谦虚,我真不会谈。上台演戏可以,但一让我谈理论就不行了。因此我在这里谈的不能算是什么经验,只能作为感想。我是河北省宝坻县人,从小就跟随姐姐芙蓉花学戏,学的是青衣花旦,那时就演过不少戏。解放后,我参加了总政领导的解放评剧团,五三年转入中国评剧团(五六年改为中国评剧院)。从解放评剧团起,我一直和新凤霞合作。过去我没演过彩旦,一开始让我演《小二黑结婚》中的三仙姑,我心中真有点别扭。但是从政治上考虑,觉得应该要求进步,个人服从大
I received letters from many viewers and comrades from all walks of life and raised various questions and demands. Many of them commented on the experience of writing. I am not modest, I really can not talk. It’s okay to act on stage, but let me talk about theory. So what I am talking about here can not be regarded as an experience, only as a feeling. I was Baodi County, Hebei Province, who grew up to follow my sister Hibiscus School, learning Tsing Yi Hua Dan, then played a lot of drama. After the liberation, I participated in the liberation of Pingju Theater led by the General Political Department, into the Chinese repertoire in five or three years (five or six years to change China Theater). Since liberation Pingju Theater, I have been working with Xinfeng Xia. In the past I did not play color, the beginning let me play “Xiao Erhei marriage” in the three fairy, my heart really awkward. However, from a political standpoint, I think we should demand progress and personal obedience