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电视剧是“逼真”于生活形态的最生活化的艺术,这是电视剧的本体真实所在。那么,摄影机又是如何揭示与书写这种真实的呢?本期“理论探讨”栏目刊登了中国传媒大学博士生导师王伟国教授撰写的文章《摄影机书写电视剧的本体真实》。文章从摄影机所具有的各种功能入手,深入阐述了这一问题。指出,摄影机的记录功能、摄影机视角所带来的多视角叙事,是书写电视剧本体真实最重要的表现方面。文章对电视剧创作中,坚持现实主义真实的美学观,杜绝虚假倾向和自然主义倾向都不无裨益。
TV drama is “lifelike ” in the life style of the most living art, which is the real TV drama itself. So how is the camera revealing and writing this real? This issue of “theoretical discussion” published an article titled “The Realism of Writing TV Dramas” by Professor Wang Weiguo, a doctoral tutor at Communication University of China. The article starts with the various functions of a video camera and elaborates on this issue in depth. It points out that the recording function of the camera and the multi-perspective narration brought by the camera perspective are the most important performance aspects of writing the ontology of the TV series. In the creation of television series, it is not without merit to insist on the real esthetic view of realism, to eliminate false tendency and naturalistic tendency.