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苏轼的《江城子》与弥尔顿的《致亡妻》都是以梦亡妻为主题﹑悼念爱情的情真意切之作。本文试图从弗洛伊德心理分析理论入手,分析两位诗人以及他们的诗歌,试图揭示在东西方文化的大背景下人们面对相同情感时不同的表达方式以及引起差异的原因。
Su Shi’s “Jiang Cheng Zi” and Milton’s “Deathly Widow” are all the dreams of the deceased wife as the theme, to mourn the true feelings of love. This article attempts to start from Freudian psychoanalytic theory and analyze the two poets and their poems in an attempt to reveal the different ways in which people face the same emotions in the context of Eastern and Western cultures and the causes of the differences.