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最初,影像只是被用来记录不断流逝的时间和空间,人们对其记录现实的能力惊喜连连。而后,影像的艺术潜能不断喷薄而出,不仅在剧情电影中无处不在,在纪录影片中也有所体现,只是相对隐含克制。然而,纪录片艺术并未因此显得平淡,而是别有独特的魅力与价值。本文将着眼于纪录片艺术的价值,探究其对于纪录片和生命的独特意义。一、纪录片艺术的表层价值:诗意的呈现法国电影理论家让.米特里在他的著作《电影美学与心理学》中,确定了电影美学理论认识的三个层次:影像一符号一艺术。他认为,影像是一个物
Initially, images were used only to document the time and space that continue to flow, and people are surprised at their ability to record reality. After that, the artistic potential of the image is constantly gushing out, not only everywhere in the storyline movies, but also in the recorded videos, only relatively implicitly restrained. However, documentary art does not seem dull, but has its unique charm and value. This article looks at the value of documentary art and explores its unique significance for documentaries and lives. First, the surface value of documentary art: the poetic presentation French film theorist Mithril in his book “Film Aesthetics and Psychology”, to determine the three levels of film aesthetics theory: image-symbol-art. In his opinion, the image is an object