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鲁迅的著作除了少量学术专著、论文以外,绝大多数都是通过文学样式的审美艺术来表达其作为伟大思想家的深刻思想的。小说、散文自不必说,就连占据鲁迅创作最大数量的杂文,其精辟的思想见解,也大都是通过璀璨的艺术来折射的。鲁迅研究专家林非先生说得好:“想要充分理解鲁迅上述这些充满了浓郁文学艺术色彩的篇章,是只有通过细致的审美鉴赏这一途径,才可能透彻了解蕴藏于艺术形式和感情色彩中间的这种深刻思想的内涵,可以说用这样的方法去进行研究,肯定是最为准确和迅捷的途径,舍此就无法切中肯綮,而容易陷入隔靴搔痒或帘外看人的窘境,因此也不可能达到透彻了解其深刻思想的目标。”(林非《鲁迅作品赏析大辞典》“前言”,《鲁迅研究月刊》1991年第8期)
Except for a small number of academic monographs and dissertations, most of Lu Xun’s writings express his profound thought as a great thinker through the aesthetic style of literary style. Needless to say, novels and essays need to be said. Even the largest number of essays that make up Lu Xun’s writings are brilliant ideas and most are refracted through bright art. Mr. Lin Fei, a research expert of Lu Xun, put it well: “If you want to fully understand these passages of Lu Xun full of rich literary and artistic colors, it is only through meticulous appreciation of the aesthetics that it is possible to thoroughly understand the hidden truth in the artistic forms and emotions It is impossible to say that the method used for conducting such a study is certainly the most accurate and expeditious way of doing things. If this is the case, we will not be able to turn our backs to the slightest, but will easily fall into the trap of scratching or blindfolding ourselves. To achieve a thorough understanding of its profound ideological goals. ”(Lin Fei,“ Lu Xun’s Works Appreciation Dictionary ”“ Preface ”,“ Lu Xun Research Monthly ”1991 the eighth period)