论文部分内容阅读
我的专业是音乐教育。按戏曲的说法,我所工的行当是钢琴演奏。按圈里的规矩,我既不是戏迷,又不是票友,更不是行家。只是由于近些年协助前辈编纂、论著河北梆子音乐,在记谱、校正以及注释的写作中,常常出现疑惑。经过查阅资料,前辈指导,细心思考,才渐渐认识到,要在书面上详实、准确的记录河北梆子音乐的实质,是很难做到的。河北梆子一个剧种尚且如此,对于中国戏曲的300余个剧种来说,就更加繁复。我
My major is music education. According to the opera, I work in a piano performance. According to the rules of the circle, I am neither a fan nor a fancier, nor an expert. Only because in recent years to assist the predecessors compilation, Hebei Bangzi music, writing, correcting and annotating the writings, often doubts. After access to information, guidance of predecessors, careful thinking, only gradually realized that in writing a detailed and accurate record of Hebei Bangzi music is very difficult to achieve. Hebei drama is still a drama, for more than 300 Chinese operas, it is more complicated. I