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8月16日起,“黄永玉九十画展”在中国国家博物馆进行为期一个月的展出。展览一如黄永玉惯常风格,“不剪彩,不演讲,不搞酒会,不搞研讨会”。画展主要分4个部分:1949年至2004年的综合内容,反映了黄永玉先生从新中国开始的艺术历程,表现了他所经历的从版画到国画的转变,人们可以一睹《劳军图》《阿诗玛》《山鬼》等版画、国画代表作;2004年至2013年的国画作品,呈现了黄永玉先生80岁以后多元化创作,以水墨重彩表达恣肆幽默,尤以荷花为多;2004年至2013年的
From August 16, “Ninety Art Exhibition of Huang Yongyu” was exhibited for a month in the National Museum of China. Exhibition like Huang Yongyu’s usual style, “not cut the ribbon, do not speak, do not engage in receptions, do not engage in seminars ”. The exhibition consists of four parts: The comprehensive contents from 1949 to 2004 reflect Mr. Huang Yongyu’s artistic process from the founding of New China, showing the changes he has experienced from printmaking to traditional Chinese painting. One can see the images of “ Ma ”“ Mountain Ghost ”and other prints, masterpieces of traditional Chinese painting; 2004 to 2013 Chinese painting works, showing Mr. Huang Yongyu after the age of 80, a wide range of creative writing, with unforgettable expression of unbridled humor, especially lotus as much; 2004 to 2013 of