灰色的泛滥

• 作 者: 徐建融
• 出 处: 国画家
• 发表日期: 2013年06期
• 关键词: 美术理论 土壤疏松 美术史学 中国美术史 《浮士德》 团粒结构 人物画创作 陆俨少 张彦远 谢赫

“理论是灰色的,生活之树常青。”歌德《浮士德》里的一句话用于美术园地,也可以说:“理论总是灰色的,实践之树常青。”灰色的理论好比灰黄的沙子,生活和实践之树则是扎根在水分充足的土壤中的。沙子的好处在于使土壤疏松而形成团粒结构,保持必要的水分,没有沙子,土壤就会板滞、僵死;但沙子太多,泛滥了,土壤全部沙化,水土流失,树木就无法生长。所以,沙子与土壤的关系,对于树木的生长,正可以形象地比喻理论与实践的关系。理论是灵魂,好比沙子是泥土的结晶,没有理论的实践,四肢再发达勤奋,找不着方向,美术的繁荣就很难实现。上古的美术史就是如此,显得很幼稚,没有规范,所以只能以巫术、礼教为标准。到中古,晋

“The theory is gray, the tree of life is evergreen ” “Goethe Faust” is a phrase used in art parks, it can be said: "Theory is always gray, the tree of practice evergreen The gray theory is like the gray sand, the tree of life and practice is rooted in a well-saturated soil. The benefits of sand are that it loosens the soil to form a granulated grain structure and maintains the necessary moisture. Without the sand, the soil will become stagnant and dead; but too much sand and flooding will make the soil desertified and the trees will not grow. Therefore, the relationship between sand and soil, for the growth of trees, can vividly metaphor the relationship between theory and practice. Theory is the soul, like the sand is the crystallization of the earth, there is no theoretical practice, developed limbs and hardworking again, can not find the direction of fine art is difficult to achieve prosperity. Ancient art history is so, it is very naive, there is no standard, it can only witchcraft, ethics as the standard. To the Middle Ages, Jin