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第一次见到贺棣秋的雕塑作品《新样板戏系列》是在艺术家李磊的画室里。因为我最近正在为策划“历史的图像”展览而四处寻找艺术家,所以我赶快向李磊要了联系他的方式。在我看来,贺棣秋的作品通过对于历史性的图像的再处理,不仅成功地消解或反思了历史性的神话,而且完成了对更新内容的表达。我们知道,所谓“样板戏”乃是所谓“文革旗手”江青亲自抓的,其目的是要以特定的“政治意识形态”改造传统京剧,进而为她所强调的“革命文艺”创作确立基本的原则。在这样的前提下,艺术创作的题材不仅限定在极端革命化、政策化的范围内,
The first time I saw He Diqiu’s sculptural “New Model Opera Series” was in the studio of artist Li Lei. Because I was looking for an artist for planning “Historical Images” exhibitions recently, I quickly asked Li Lei how to contact him. In my opinion, He Diqiu’s works not only succeeded in resolving or reflecting on historical myths through reprocessing of historical images, but also completed the expression of the updated content. We know that the so-called “model opera ” is the so-called “banner of the Cultural Revolution” personally grabbed by Jiang Qing, whose purpose is to transform the traditional Peking Opera with a specific “political ideology” and further emphasize her “ Revolutionary literature and art ”creation establish the basic principles. Under this premise, the theme of artistic creation is not limited to the scope of extreme revolution and policy,