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此件明代龙泉窑花器系日本回流藏品(图1、2、3、4、5),尺寸不大,高仅15厘米,造型十分罕见,浅盘口,束颈,圆腹,寰底,肩部等距附花片式穿孔三系耳,三系耳是佛像发冠或臂上变体莲花装饰纹(图6、图7)。腹壁暗刻缠枝菊纹,里外满釉,芒口覆烧,釉色青翠莹润,精光内蕴。日本人专为此器配制了木架座,以铜链悬挂,怡然清供妙品。笔者十分认同日本藏家对该器的理解——吊式花器,而其具体名称应该即是明人笔下的“花囊”。花囊最初指香囊一类,窑器花囊则是插花专用的一种器皿,但现今明
This piece of the Ming Dynasty Longquan kiln Japan Department of Flowery collection (Figure 1,2,3,4,5), size is not large, only 15 cm high, the shape is very rare, shallow mouth, neck, round belly, at the end of the shoulder Ministry of equidistant perforated three series of ears, three series of ears is the Buddha’s crown or arm variants Lotus decorative patterns (Figure 6, Figure 7). Abdomen dark engraved chrysanthemum pattern, inside and outside the glaze, covered with vermilion, glaze green Yingrun, essence of light. Japanese specially prepared for this device wooden stand, hanging with copper chain, Delicate clever products for the clear. I very much agree with Japanese collectors to understand the device - hanging flower, and its specific name should be the Ming Dynasty pen “flower pouch”. Sachet first refers to a sachet, kiln flower sachet is a flower-purpose vessel, but now Ming