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维吾尔族南疆自古以来是音乐文化较发达的地区之一,早在公元前二百多年,产生在当地的于阗乐就已传入中原①。后来又有龟兹乐、疏勒乐传入,其中以龟兹乐影响最大。公元628年,玄奘访问龟兹,给当地音乐以“管弦伎乐,特善诸国”的高度评价。维吾尔族的歌舞音乐十分丰富,以木卡姆最为突出。龟兹乐尽管受到宗教影响的冲击较大,但与维吾尔族木卡姆在流传地区以及艺术形式上存在相似性。一、龟兹遗韵1、地缘龟兹是古代西域的重要组成部分,自古以来就是个民族游牧、迁徙、通商、传教、取经的必经之地,因而
Since ancient times, the southern Uighur has become one of the most developed areas in music and culture. As early as 200 BC, the local music and music produced in Central China were introduced into the Central Plains. Afterwards, there was the music of Qiucci, which was introduced to Shule Music, of which the music of Qiuci Music was the most influential. In 628 AD, Xuan Zang visited Kuchai to give a high evaluation of local music in terms of “performing arts, special excellence”. Uygur song and dance music is very rich, the most prominent Muqam. Despite the greater impact from the religious influence, Qucci Le has similarities with the Uighur Muqam in its popular areas and art forms. First, the Qizi Rhyme 1, Geocentric Qi is an important part of the ancient Western Regions, since ancient times is a national nomadism, migration, trade, missionary, learn the necessary place, and thus