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书籍装帧设计既是平面的-也是立体的,是指书籍的整体设计。它包括的内容很多,不仅从外表能看到封面、书脊、封底三个面,而且从外到内,随着人的视觉流动,环衬、扉页、内文的版式设计、插图设计等都需要精心地进行装帧设计,才能孕育出理想的、有血有肉、充满情感的书籍生命体。书籍是一种大众化的媒体,但是,人们对书的装帧设计能理解透彻的却知之甚少。长期以来,书籍被认为是平面的视觉载体,被局限在狭小的二维思维中。一般读书人认为,装帧设计就是画封面。设计师从工作方式的视角看,认为装帧设计者就是搞平面的。前者不全面,因为封面设计只是书籍装帧设计整个程序中的一小部分,
Book binding design is both flat - and also three-dimensional, refers to the overall design of the book. It includes a lot of content, not only from the appearance to see the cover, spine, back cover three sides, and from outside to inside, with the visual flow of people, ring lining, the title page, the text layout design, illustration design, etc. are required Well-framed design, in order to breed the ideal, full of flesh, full of emotional life of the book. Books are a popular medium, but little is known about the design of book binding. For a long time, books have been regarded as a flat visual carrier, confined to narrow two-dimensional thinking. The average scholar thinks, the design of the frame is to draw the cover. Designers from the working point of view, that the designers are engaged in binding plane. The former is not comprehensive, because the cover design is only a small part of the whole process of book binding design,