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《画刊》:您怎么看这次三影堂“中国当代摄影40年”展览对中国当代摄影进程四个阶段的划分?顾铮:可能是中国当代历史的特殊性,也可能是中国摄影自身的特殊性,所以会有从摄影史或者从艺术史的视野来看是那么短的一个时期段,比如说两三年,就可以在这个40年的摄影史分期上占有一席之地。但是,作为一个阶段,如果要依据的历史事实充分可靠,那么如此划分,是可行的。当然,这只是体
“Pictorial”: How do you see the division of the four stages in the process of contemporary Chinese photography by the Three Shadows “The 40 Years of Chinese Contemporary Photography” exhibition? Gu Zheng: It may be the particularity of contemporary Chinese history or it may be China The particularity of photography itself, so there will be a short period of time from the photographic history or from the perspective of art history, for example, two or three years, you can in this 40-year history of photographic staging a place. However, as a stage, if the historical facts to be based on are sufficiently reliable, such a division is feasible. Of course, this is only the body