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甲:中国油画民族化的提法久已有之。对这一问题你的看法如何? 乙:这一提法我也早就听说过。尤其在1949年以来,呼声很高。许多有志之士也在这方面进行了不懈的探索。但使我困惑的是,什么是民族化?恕我孤陋寡闻,至今我还没有看到一个油画民族化的定义。这是一个艺术主张,但又是一个内在涵义混沌模糊的艺术主张,不是吗? 甲:油画民族化,依我看,就是使油画具有“民族风格,民族气派”嘛！ 乙:所谓的“民族风格,民族气派”,作为理论概念,也需要明确地限定和阐释,不能假定为是人所共知的。因为提出一个
A: The reference to the nationalization of oil painting in China has existed for a long time. How do you think about this question? B: I have heard about this formulation. Especially since 1949, the voices are high. Many people with lofty ideals have made unremitting explorations in this regard. What puzzled me was, however, what was nationalization? Forgive me for ignorance. So far I have not seen a definition of the nationalization of oil painting. This is an artistic proposition, but it is also an ambiguous artistic contention of internal meaning, is not it? A: The nationalization of oil painting, in my opinion, is to make the oil painting a “national style and ethnic style”! B: The so-called “ethnic style, ethnic style”, as a theoretical concept, also needs to be clearly defined and interpreted. It can not be assumed to be well-known. Because of one