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当今学院素描教学现状 中国的美术学院从它建立伊始,一直是沿袭西方的美术学院样式,尤其是素描教学沿用的样式没有改变。从20年代徐悲鸿、刘海粟、林风眠等先驱的直接移植,到50、60年代照搬苏式的素描教学体系,其教学内容的安排是石膏几何形体,静物组合(规整有形的成品与水果等),西方经典石膏像(从头像到全身,如阿格列巴、塞内卡、布鲁特斯、大卫、拉奥孔、奴隶、摩西等),到人物写生(与石膏像穿插进行教学)。人物写生也首先是从头骨开始(注重解剖学)到头像、半身至全身像(着衣与裸体)。其中
The status quo of today’s college sketch teaching China’s Academy of Fine Arts from its inception, has been followed the style of the Western Academy of Fine Arts, in particular, the style used in sketch teaching has not changed. From the direct transplantation of Xu Beihong, Liu Haisu, Lin Fengmian and other pioneers in the 1920s to the copying of Soviet-style sketch teaching system in 1950s and 1960s, the teaching contents are arranged in the form of gypsum geometric body, still life combination (structured tangible products and fruits, etc.) Western classical plaster (from head to body, such as Agliba, Seneca, Brutus, David, Laocoon, slaves, Moses, etc.) to sketches of figures (interspersed with plaster). Character sketching is also the first start from the skull (focusing on anatomy) to the avatar, half body to full body like (clothing and nudity). among them