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面对全球经济恐慌的冲击,艺术市场是否也存在着危机?而危机若有征兆,人们是否能在巨额的艺术作品交易,或者能从收藏家/买家的收藏倾向、品味嗜好的异动中察觉?艺评家莱依迪耶(Richard Leydier)在10月号的《Artpress》杂志中,针对经济恐慌下的巴黎艺术市场做了侧面观察。在《FIAC,Show Off.Slick——展前介绍》一文中,莱依迪耶首先指出,近年来当代艺术作品卖价高涨,逐渐晋升为与昂贵游艇或名牌服饰等同的高级奢华品,然而此类“新兴奢华品”原本只在少数收藏家手中流动,如今却几乎与时尚品味或社会地位等身份认同息息相关。对于少数的巨富买主,经济危
In the face of the impact of the global economic panic, does the art market also have a crisis? And if the crisis is signaled, will people be able to trade huge amounts of artwork, or be aware of the collectors / buyers’ favorites, tastes and hobbies? • Art critic Richard Leydier made a sideview of Paris in the economic panic in the October issue of Artpress magazine. In “FIAC, Show Off.Slick - Pre-show Introduction,” Leydier first pointed out that in recent years, the selling price of contemporary works of art has been gradually raised to luxury luxury goods equivalent to expensive yachts or designer clothes, however Class “Emerging Luxury Goods” originally only flow in the hands of a small number of collectors, but today it is almost related to fashion identity or social status identity. For a few wealthy buyers, economic crisis