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本文介绍了韩国风俗画的典型代表画家申润福及其作品内容,他以当时两班贵族阶层所不屑表达的女性风俗形象为表达对象,充满情色意味的题材反讽了深受性理学儒家思想下两班贵族的放浪奢靡。《端午风情》作品中的浴女娇媚且性感撩人,男性们暗中对浴女进行偷窥从而获得视觉上的感官享乐,以此来抚慰内心饥渴的淫欲癖好,我以男性对浴女的窥视角为主要延展方向,深刻揭示了画面背后的深刻内涵。
This article introduces the typical representative painter of South Korea genre painting Shen Runfu and his works, he was the object of expression of the two women who were disdainful aristocrats expressed the object, full of erotic meaning of the subject of irony by the two schools of Confucianism The excitement of the extravagant “Dragon Boat Festival style” works in the bathing woman charming and sexy sultry, men secretly voyeuristic bath to gain visual sensory pleasure, in order to soothe the inner thirsty lust, I to men and women to see the voyeur Perspective as the main extension direction, revealing the profound meaning behind the picture.