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俳句是一种传统的日本歌诗,正冈子规引入西洋画写生理论,以“写生说”来推动近代俳句革新。“写生说”主张以实证的态度客观地绘写实景。写实式的写景基于作者在场,本质上就是灭点透视式的西方视觉图像意识,而传统写意式的写景则基于散点游移式的东方视觉图像意识。“写生说”经历了提倡写实反对写意到二者逐步结合的过程,这充分体现了两种图像意识的对立与融合在俳句发展史上所起的作用。
The haiku is a traditional Japanese song poem. Zhengjian Zi-zu introduces the sketch theory of Western painting and promotes the innovation of modern haiku with “sketching theory ”. “Sketch” “advocate an objective manner to write realistically written reality. Based on the presence of the author, the photorealistic scene is essentially a vanishing point of view of Western visual image awareness, while the traditional freehand scene of writing is based on the scattered visual image of the Orient. ”Sketching Saying " has undergone a process of gradually combining the two approaches of advocating realism and opposition to freehand writing. This fully demonstrates the role played by the opposition and integration of the two kinds of image consciousness in the history of the development of haiku.