文化操纵视角下解读1950年代彭斯诗歌在中国的走红

• 作 者: 夏轶韫
• 机 构: 上海第二工业大学,
• 出 处: 青年文学家
• 发表日期: 2015年35期
• 关键词: 文化操纵 意识形态 彭斯 民歌

彭斯诗歌在中国的译介虽然始于20世纪初,却是在1950年代突然走红。1959年诗人诞辰200周年之际,翻译界同时出现了其诗歌的两种新译本,报刊上发表了很多纪念诗人的文章。彭斯的走红除了与这个特殊时间有关,究竟还受到了何种力量的推动?倘若把彭斯诗歌的翻译置于当时中国社会的大环境之下,我们就不难发现,勒菲弗尔所提出的操纵文学翻译的三种基本力量——意识形态、诗学、赞助系统在彭斯诗歌的翻译过程中扮演了重要的角色。

Although Peng’s translation of poetry in China began in the early 20th century, it suddenly became popular in the 1950s. On the occasion of the 200th anniversary of the poet’s birth in 1959, two new versions of his poetry appeared simultaneously in the translation field. Many articles commemorating the poet were published in the press. Burns’s popular except in this special time, what kind of forces have been driven? If the translation of Pengs poetry at the time under the general conditions of Chinese society, we can easily find that Le Favre The three basic forces proposed for manipulating literary translation - ideology, poetics, and sponsorship systems - play an important role in the translation of Pence’s poetry.