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可能是因为《坟场之书》是一本近年来才引进的作品,还没有引起国内学者们的注意,所以国内有关这本幻想文学的研究著述较少,对这部作品的解读也多是从“成长小说”和“儿童文学”的角度进行的。如学者于海洋在其著述《奇幻小说〈坟场之书〉之成长主题分析》中认为“成长是儿童文学作者们不断追求并不断表现的重要主题”以儿童文学中的成长主题为研究对象进行研究。很少有人从幻想文学中的人物塑造和艺术表现手法的角度来解析此作品。国内对《聊斋志异·婴宁》倒是多得惊人。其中有很多著作是研究聊斋中人物塑造和艺术表现手法的,如学者盛瑞裕的著述《〈聊斋志异〉人物塑造厄谈》和学者喻雪芹的著述《试析婴宁形象中蕴含的真善美因子》等。这些著述对《聊斋志异》中人物塑造和艺术表现手法的研究已经十分完善,给了本文作者莫大的启发和帮助。但目前众多关于《聊斋志异》的研究著述中很少有以幻想文学的人物塑造和艺术表现手法为研究对象的。
It may be because “The Cemetery Book” is a piece of work that has been introduced in recent years and has not attracted the attention of domestic scholars. Therefore, there are few researches on this fantasy literature in China and more about this work From the perspective of “growth novels” and “children’s literature”. If scholars in the Ocean in his book “The fantasy novel cemetery of the book of the theme of growth” that “growth is an important theme of children’s literature authors continue to pursue and continue to ” to children’s literature in the theme of growth for the study Object to study. Few people interpret this work from the angle of characterization and artistic expression in fantasy literature. The domestic “Strange Cricket” is more surprising. There are many books on the study of the characters in Ghost Story and artistic expression techniques, such as the scholar Sheng Ruiyu’s writings << Strange Tales of Liao Zhai talk >> and scholar Yu Xueqin’s writing << Analysis of the image of the true nature of the good and the good >> and so on . These works on the “Strange Stories” Styling and artistic performance of the method has been very well studied, gave the great inspiration and help of the author. However, at present, there are not many researches on the creation of fantasy literature and artistic expression in the study of Strange Stories from a Lover Studio.