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近几年来在《中国花卉盆景》和《花木盆景》中,不时有一些有关“文人树”的文章和所谓“文人树盆景”作品出现。应该说是中国盆景艺术创新中出现的大喜事,或者说是中国盆景文化自然进化的必然。但笔者却认为:要研究“文人树”盆景,首先必须了解中国“文人画”与“文士园”的成因与发展的历史过程,特别是中华民族特有的“文人画”派的形成。据有关文献记载,中国文人、士大夫从事绘画活动,始于东汉张衡。后来顾恺之、宗炳、王微等文化人,即开始创作绘画理论,至唐代王维时(注:王维系唐开元时进士出身,为官至尚书古丞),绘画中的诗意与笔墨技巧都得到进一步发
In recent years there have been some articles on “The Scholar Tree” and the so-called “Scholar Tree Bonsai” appeared in “Chinese Flower Bonsai” and “Flower Bonsai”. It should be said that the blessing of Chinese bonsai art innovation, or the inevitable natural evolution of Chinese bonsai culture. However, the author believes that to study the “bonsai tree”, we must first understand the historical process of the formation and development of the Chinese “scholarly paintings” and “scholarly gardens”, especially the unique “scholarly paintings of the Chinese nation” "Faction formation. According to the relevant literature, Chinese literati, scholars engaged in painting activities, began in the Eastern Han Dynasty Zhang Heng. Later, Gu Kaizhi, Zong Bing, Wang Wei and other literati began to create the theory of painting, to the Tang Dynasty Wang Wei (Note: Wang Wei was born in Tang Kaiyuan Tang, Guanzhang Shang Gu Shicheng), painting poetic and ink techniques have been Further hair