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“远”是视觉对客观世界认识的生理映射。中国画论中“远”被反复论述,在绘画作品中表现为对空间的追求。以前对中国画“远”的认识普遍基于和西画透视有本质不同之上,以此来说明中国画的特有的观察方式。中国画中的“远”作为对客观世界的认识结果,和西画透视有着一定的联系,但作为中国绘画的画面处理方式和审美方式,“远”又与西画透视在画面的运用有着不同。通过对“远”的阐述,指出“远”不是中国画独有的,它是和西画透视有联系的。
“Far ” is the physiological mapping of the visual understanding of the objective world. In the theory of Chinese painting, “Yuan” was repeatedly discussed, and appeared in the painting as the pursuit of space. In the past, the understanding of Chinese painting “Far” was generally based on the essential difference from the perspective of Western painting in order to illustrate the unique observation of Chinese painting. As far as the understanding of the objective world is concerned, “far ” in Chinese painting has some connection with the perspective of Western painting. However, as the picture processing method and aesthetic method of Chinese painting, “far different. By elaborating on ”Yuan“, it is pointed out that ”Yuan" is not unique to Chinese painting, it is related to the perspective of Western painting.