FRAC中心主席弗朗索瓦·博尔德里贺词

• 出 处: 世界建筑导报
• 发表日期: 1999年Z2期
• 关键词: 收藏范围 艺术收藏 弗朗索瓦 建筑方案 处理空间 FRAC 美学领域 建筑问题 国际建协 博尔德

1991年,区域性当代艺术收藏中心(FRAC中心)决定将收藏范围集中于一个具体的领域,即艺术和建筑之间的关系。居于此目的,中心开始收藏建筑方案,同时收集艺术家的作品。 无需赘言,这种做法并非简单地在艺术品和建筑之间制造任何混乱。相反,它认为艺术家和建筑师可以分享一个共同的美学领域,并一起提出处理空间的问题,在其复杂的收藏范围中,所有收藏品在创造公共场所方面都越来越多地共同涉及到艺术和建筑问题。

In 1991, the Regional Center for Contemporary Art Collection (FRAC) decided to focus its collection on a specific area, namely the relationship between art and architecture. For this purpose, the center began collecting architectural plans and collecting artists’ works. Needless to say, this approach does not simply create any confusion between artworks and buildings. On the contrary, it believes that artists and architects can share a common aesthetic field and together raise the issue of processing space. In its complex range of collections, all collections increasingly involve the arts in creating public places. And construction problems.