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张爱玲的冷漠和绝望使她的小说充满了令人难以平复的伤感和回忆,李安却将浓郁的颜色渗透进电影之中,身体空间的转换彰显了爱的紧张和外部的挤压。李安让我们看到了爱的波涛和渐渐毁灭。人性的不可仰望在李安的书写里慢慢颤抖,也让情爱慢慢被禁锢和消散。
Zhang Ai-ling’s indifference and despair filled her novels with unpleasant sadness and memories. Ang Lee infiltrated the rich colors into the movies. The transformation of body space demonstrated the tension of love and the external squeeze. Ang Lee let us see the waves of love and gradually destroyed. Can not look forward to human nature in Ang Lee’s writing slowly trembling, but also to love slowly be imprisoned and dissipated.