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元代初期,南宋遗民诗画家们仍然背负着亡国的悲痛与惆怅情绪,然而忧思无奈之情却无处发泄,只得借以诗画等艺术创作来抒发胸中意气,于是这一时代的绘画作品倾向于借助意向与象征手法的表现,托物而言志,借物以抒情成为当时文学与艺术作品的创作风尚。其作品极具文人情怀,却又远远超过一般的文人画风格,从而形成独特的遗民画表现形式。南宋遗民画家主要有赵孟坚、龚开、钱选、赵孟頫等人,郑思肖(号所南)作为南宋遗民诗画家之一,其艺术体现了遗民诗画的独特艺术审美,《墨兰图》为其绘画艺术的代表作品。
In the early Yuan Dynasty, the poets and painters in the Southern Song Dynasty were still carrying the grief and melancholy feelings of the fallen kingdom. However, there was no place to vent their worries, but they had to express their emotions through artistic creation such as poetry and painting. Therefore, the tendency of the paintings in this era With the help of the expression of intention and symbolic tactics, in terms of props, it borrowed material to become lyrical as the artistic style of literature and art at that time. His works are very literary, but far beyond the general style of literati painting, thus forming a unique form of expression of folk paintings. The painters of the Southern Song Dynasty mainly include Zhao Mengjian, Gong Kai, Qian Xuan and Zhao Mengpu, who regarded them as one of the poets and painters in the Southern Song Dynasty. The art reflects the unique artistic aesthetic of the poems and paintings of the descendants, Painting works of art representative.