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画院的存在与发展一直都是值得研究的。画院的存在有其自身的客观因素,早在1957年成立的北京和上海两地的中国画院就是为了解决所谓的从旧社会遗留画家生计问题而设立的,也培养新生的力量去继承国画的传统,同时像齐白石这样的大师才能够安心地发扬传统文化的魅力,才成就了一代大师。所以当时的画院的确是功不可没。从这个角度上来说,画院的设立与中国历史上的画院是有本质上不同的,继承和发扬传统文化成了画院新时
The existence and development of the academy have always been worth studying. The existence of the academy has its own objective factors. As early as 1957, the Chinese Academy of Art in Beijing and Shanghai was set up to solve the so-called livelihood problem of the painters left in the old society. It also nurtured the freshmen’s strength to inherit the traditional Chinese painting At the same time, masters like Qi Baishi were able to carry forward the charm of traditional culture with peace of mind so as to create a great master. So the art academy at that time was indeed a big deal. From this perspective, the establishment of the art academy is essentially different from that of the art academy in the history of China. Inheriting and promoting the traditional culture becomes the new era of the art academy