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蔡艺芸说她视觉上喜欢假人,也更能表现出精神与肉体的关联,她在探寻人的器官可否单独作为一个表演的载体。事实上,蔡艺芸的作品大多都在挖掘人性的丑陋与黑暗,或者人类的可悲与可怜。她试图在现代人畸变的心理中,寻求自我救赎之路。
Choi Wan-yun said she visually likes dummies and is more able to show the association between spirit and body. She is exploring whether or not a human organ can act as a carrier of performance alone. In fact, most of his art works are digging the ugliness and darkness of human nature or the deplorable and pathetic humanity. She tries to seek the path of self-salvation in the distorted psychology of modern people.