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《奇鸟行状录》问世于20世纪90年代初,是村上春树旅美期间的长篇代表作。作品以诺门坎战役以及日军侵华战争作为时间轴,提示了日本现代社会中暴力性并未消除,战争暴力仍在延续的主题。“水井”作为贯穿作品的重要意象符号,对于主题的呈现具有不可替代的作用。“水井”同样出现在村上的其他代表作品中,形成一组彼此联系、意义丰富的意象群。本论文梳理村上文本中“水井”的谱系,在文本的语境中分析其外在形象与内在意象的关联,借助“连通器”“克莱因瓶”等模型对符号系统进行解码,发掘作者以关键能指“封存”的符号的核心意义。
“Odd Bird” recorded in the early 90s of the 20th century, is Haruki Murakami’s journey to the United States during the long masterpiece. The works of Nomon by the Battle of Japan and the Japanese invasion of China as a timeline suggest that the violence in Japan’s modern society has not been eliminated, and the war violence continues. “Well ” as an important image symbol throughout the work, for the presentation of the theme has an irreplaceable role. “Wells ” also appeared in other representative works in Murakami, forming a group of images that are of great significance to each other. This thesis combs the pedigree of “Shuijing” in Murakami’s text, analyzes the relationship between its external image and its intrinsic image in the context of texts, and uses the model of “Communicator ” “Klein Bottle The system decodes and finds out the core meaning of the author’s signifier of ”sign".