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做了二十多年的版画后,有时发现它的存在竟有些越来越模糊,以前所关注的版画技术问题、版画语言问题都渐渐隐退在视觉图式背后,视觉图式成为我目前唯一所要考虑的因素。本来今天的绘画就难以取得共识,好与坏,传统与当代什么的,毕竟像是个人每天怎么过日子的小事情,不必需要邻居品评,当然,其中也不乏会有一些理想化的或崇高的激情存在,还有些用艺术以外的标准如拍卖价格震撼一下脆弱的心脏,在评论家那里
After more than 20 years of printmaking, sometimes it is found that its existence is somewhat more and more blurred. The previous printmaking technical issues and printmaking language issues are gradually receding behind the visual schema, and the visual schema has become the only one that I currently have The factors to be considered. It is hard to come to consensus on today’s painting, good and bad, traditional and contemporary, after all, such as how to live the daily life of small things, do not need neighbors reviews, of course, many of them there will be some idealistic or lofty passion There are still some who use the standards of art such as auction prices shock the fragile heart, where the commentators