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中国现代报告文学在30年代的建构、发展中,与工业文明之间的关系被深深地打上了左翼的烙印,表现出复杂的矛盾性:一方面过分渲染作为恶之花的工业文明社会中下层民众的悲苦状况,另一方面竭力描绘出一幅无产者完全有权也有可能充分享受工业文明果实的理想社会图景,游弋于对工业文明的拒斥与赞美之间,成为这一时期中国报告文学建构的主要取向和内在逻辑依据。它影响了以纪实为主要特征的报告文学对当时社会真实全面的反映。
In the construction and development of China in the 1930s, the relationship between modern Chinese reportage and industrial civilization was deeply imprinted on the left and showed complex contradictions: on the one hand it over-rendered the industrial civilization society that is the evil flower On the one hand, and on the other hand, it endeavored to depict an ideal social picture of proletarians fully empowered and possibly able to fully enjoy the fruits of industrial civilization, cruising between rejecting and praising industrial civilization and becoming China’s reportage during this period The main orientation and inner logic of construction. It affected the reportage which is characterized by documentary as a true and comprehensive reflection of society at that time.