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小琼:当今的歌剧制作可以探索各种不寻常的地方。尤其是运用投影技术,可以轻易地转换地点,乃至穿越时空。小薇:在中国,真正运用过大规模投影的歌剧演出场所,是北京的国家大剧院。几年前我曾读到过关于《漂泊的荷兰人》中,投影制造出的开场风暴的报道。小琼:不久前,我观看了一部歌剧,它极富想象力地运用了投影技术。这部独幕短歌剧名叫《伴侣》,是作曲家罗伯特·帕特森的作品《三条路》的一部分。故事发生在未来,那时机器人负责家务、打点一切,而且更身兼爱人的职务。一切都很顺利——除非机器损坏,需
Joan: Today’s opera productions can explore all sorts of unusual places. In particular, the use of projection technology, you can easily change places, and even through time and space. Xiao Wei: In China, a theater that really uses large-scale projection is the National Grand Theater in Beijing. A few years ago I read reports of the opening storm created by the projection of “drifting Dutchmen.” Small Joan: Not long ago, I watched an opera, it uses the projection technology imaginatively. The one-act short opera called “Mate” is part of the “Three Roads” by composer Robert Patterson. The story takes place in the future, when the robot is in charge of housekeeping, managing everything and loving one more. Everything goes well - unless the machine is damaged, needed