论文部分内容阅读
一、技能与表情手法同必须服从艺术的要求某个在音乐上很有发展前途的学生,弹奏了一支大杂烩的曲子,并解释说:她一直在练习弹奏乐曲时,开始总不理会那些“表情符号”。到后来,再把这些符号加进去。现在很少有人如此幼稚可笑了;但是我们都遇见过(不幸也听过)一些演奏者:他们把所谓“根据自己的理解来进行的演奏”或他们的“表情手法”,看作是某种外来的、可以以后加上去的、能挪动的日用品,就象那位小姐的“表情符号”那样。首先,他们认为:最主要的是演奏那些音,然后,再加进一些表情手法,象厨师给菜里加点作料一样。另一方面,
First, the skills and expression practices must obey the requirements of art Some music students have a promising development, playing a hodgepodge of the song, and explained: she has been practicing playing music, began to ignore Those “emoticons.” Later, add these symbols again. Few people are so naive and ridiculous today; but we’ve all met, unfortunately, a few performers: they see what they call “playing based on their own understanding” or their “expression of expression” Exotic, can be added later to move the daily necessities, just as the lady’s “emoji” as. First of all, they think: The most important thing is to play those sounds, and then add some facial expressions, as the chef adds the same ingredients to the dishes. on the other hand,