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多年来,高雅与庸俗、阳春白雪与下里巴人之争,始终是一个令专家学者们关注而又莫衷一是的问题。贴近现实生活、思想上严肃、艺术上高雅的电视剧是大多数专家学者们所期待和推崇的目标,但往往缺乏观众的认同;而武侠、言情类电视剧远离现实生活、思想上并不严肃、艺术上也属平平,往往是专家学者们所不屑、所批评甚至所否定的对象,却拥有庞大的观众群体,成为各电视台争取观众、引起收视热点的主打剧目。理想与现实、专家与观众、理论与实践之间的分离与矛盾在这里显得特别突出。当代中国电视剧领域中的
Over the years, the issue of elegance and vulgarity, the struggle between spring and snow and the people of Ribat has always been a matter of concern to both experts and scholars. Close to the real life, ideologically serious, elegant and artistic drama is the goal of most experts and scholars are expected and respected, but often lack the audience’s identity; and martial arts, romance TV drama away from real life, the idea is not serious, art On the other hand, it is also mediocre and often dismissed by experts and scholars as the object of criticism and even denial. However, it has a large audience and has become the main theme of the television stations’ efforts to win audiences and attract ratings hot spots. Ideal and reality, experts and audiences, the separation and contradictions between theory and practice are particularly prominent here. Contemporary Chinese TV drama field