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基于东南大学中国艺术国际传播协同创新中心发布《2014年中国艺术国际传播舆情简报》的数据,进行形式特征和内容特征的统计分析显示:以作品展映形式进行的艺术传播活动最多;艺术传播的来源地存在着分布不均衡的情况;艺术传播活动的地域覆盖面广泛,但是存在失衡现象:发达国家远多于发展中国家。在传播组织方面,不论中方还是外方,文化中心都占据了相当份额,政府组织更是主要力量。在中国艺术传播内容方面,美术方面传播数量最多,其次是音乐与影视,而历史文物与设计所占比重偏低,亟待加强。从传播时间维度来看,春天与秋天的传播活动较多,春节则是另一个小高潮。最后,从艺术传播因素相关度来看,艺术传播的来源地、传播内容、目的地这三者与来源地的综合发展实力和地区发展水平有很大的关系。
Based on the data released by China Collaborative Innovation Center for International Communication of Chinese Art in Southeast University, the statistical analysis of the formal characteristics and content features shows that: the most dissemination of works in the form of works is the spread of art; the source of artistic dissemination There are uneven distribution of the situation; arts coverage of the geographical coverage of a wide range, but there is an imbalance: far more than the developed countries in developing countries. In terms of disseminating organizations, both the Chinese side and the foreign side occupy a considerable share of the cultural centers, and the government organizations are the main force. In terms of the content of art communication in China, art is most frequently spread, followed by music and film and television, while the proportion of historical relics and design is low and needs to be strengthened urgently. From the perspective of time of dissemination, spring and autumn spread more activities and the Spring Festival is another small upsurge. Finally, judging from the relativity of the factors of art communication, the origin, the content and the destination of art communication have a great relation with the comprehensive development strength and the level of regional development in the area of origin.