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作为一种大众性、通俗性的大众传播媒体,电视剧的可视性与娱悦性通常是制约其制作的重要原则。由于它“侵占”的是大众的闲暇时间——这是一个公众需要休息与消遣的“私人时间”,观众对电视剧(节目)的选择有天然的合理性。任何人也不能强迫他人必须看什么,或是不看什么。为此,制作者无论抱有什么创作意图,其实现的先决条件是电影剧首先必须满足观众对于电视剧最普遍、最一般的心理期待。这意味着:任何个人的与社会的内容必须通过与之相适应的语言叙事方式才能够得到传播。这个叙事结构的一般原则是: 1.轴线原则——根据事件因果关系,确立一
As a mass and popular mass media, the visibility and amusement of the TV series are usually the important principles which restrict their production. Because of its “encroachment” on public leisure time - a “private time” for the public to rest and unwind, the audience has a natural sense of choice in the drama. No one can force others to look at anything or see nothing. For this reason, no matter what creative intention the producer has, the prerequisite for its realization is that movie dramas must first meet the audience’s most common and most general psychological expectation for the dramas. This means that any personal and social content must be disseminated through an appropriate linguistic narrative. The general principles of this narrative structure are: 1. Axis principle - based on the causal relationship of events, establish a