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显然,国人对概念的诠释有不同的解读,分歧是难免的。多元的解读也不是坏事。关键是要把学术讨论和科普常识区分开来,争议和分歧可以一直延续下去,但对大众来说,要有一个较为明晰的概念。笔者认为,中国画的概念可以从以下几方面去定位:源流、审美、工具、笔墨语言和文化特色,主要是笔墨语言和文化特色。如果这样的定位较为适合的话,那么中国画就是源自中华文明的、经过历代中国画家创造和发展起来的、使用中国书画工具、应用特有
Obviously, people interpret the concept of the concept of a different interpretation of differences is inevitable. Multiple interpretation is not a bad thing. The key is to distinguish academic discussions from popular science common sense. Disputes and differences can continue. However, for the general public, there should be a clearer concept. The author believes that the concept of Chinese painting can be positioned from the following aspects: origin, aesthetic, tools, pen and ink language and cultural features, mainly pen and ink language and cultural features. If this positioning is more appropriate, then the Chinese painting is derived from Chinese civilization, through the creation and development of Chinese painters, the use of Chinese painting and calligraphy tools, application-specific