青阳腔的仪式生境与历史变迁

• 作 者: 周显宝
• 机 构: 厦门大学艺术学院音乐系,
• 出 处: 戏曲研究
• 发表日期: 2004年02期
• 关键词: 青阳腔 目连戏 滚调 音乐传统 弋阳 滚唱 滚白 人生礼仪 人类本质 中间层次

仪式,被视为最能体现人类本质特征的行为方式和叙事表达,视为历史与传统的“贮存器(container)”以及人生历程和社会变迁的一出戏剧。综合各种观点,我们认为:仪式是由某一个民族、族群、区域,乃至国家或跨国界群体的文化传统所约定俗成,有时也受信仰的支配和规约,具有表演性、象征性的一种思想行为方式。出于分析和研究的方便,人们将仪式这一整合形式的“贮存器”分解为多种级别和层次的因素、指标。宏观方面的有历史记忆、社会叙事、文化传承、族性认同等等,中间层次的有人生礼仪、节日庆典、

Rituals are regarded as the behaviors and narrative expressions that best embody the essential characteristics of human beings and as a “container” of history and tradition as well as a drama of life course and social change. Taking all kinds of viewpoints into consideration, we believe that rituals are conventions and sometimes also governed and regulated by the cultural traditions of a certain ethnic group, ethnic group, region, or even national or transboundary group, and have a performing and symbolic ideology Behavior. For the convenience of analysis and research, people have broken down the integrated form of “ritual” into various levels and levels of factors and indicators. The macro aspects of historical memory, social narrative, cultural heritage, ethnic identity and so on, the middle level of human rituals, festivals,