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当蒲国昌从梦魇中,那灰色的水泥都市中走出,另外一个系列——《蚊子》系列产生了。这是蒲国昌个人精神的一次出离,他出离了那个灰色都市,最终站立于另一个空间,以《蚊子》代替了自我的身份,使蚊子这一身份与主题既背负着俗世的罪恶与贪婪,也走出了尘世的痛苦与绝望,但蚊子这一形象的身份却逃离不开
When Pu Guochang from the nightmare, that gray cement city out of the other series - “mosquito” series produced. This is a departure from Po Kuo-chang’s personal spirits. He left the gray city and finally stood in another space, substituting “mosquito” for self identity and making the identity and theme of mosquitoes bear both earthly evil and greed , But also out of the earthly suffering and despair, but the identity of the mosquito has escaped