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俄国著名学者乌斯宾斯基是原苏联塔尔图—莫斯科符号学派的代表人物,而柄谷行人是日本现代三大文艺批评家之一。在这两位大师的思想中我们都可以发现结构主义的影子,但是他们又不仅仅局限于结构主义。柄谷行人通过分析日本现代文学的起源,发现了隐藏在日本现代文学当中的“颠倒”成分。而乌斯宾斯基是通过分析西欧中世纪造型艺术的视点结构,发现了隐藏在西欧文艺复兴以后的艺术作品当中的“颠倒”现象。
The famous Russian scholar Uspenski is the representative of the Tartu-Moscow symbolism of the former Soviet Union, while the Apostolic pedestrian is one of the three major Japanese literary critics. In the minds of both masters we can all discover the shadow of structuralism, but they are not limited to structuralism. By analyzing the origins of modern Japanese literature, the Ark Valley pedestrians have discovered the “inverted” component hidden in modern Japanese literature. Ulsbinski discovered the phenomenon of “inversion” hidden in the works of art after the Western European Renaissance through the analysis of the point of view of the medieval Western modeling arts.