论文部分内容阅读
80年代的最后一个冬天。北京,寒气封城。然而,东北话剧界的朋友们却抖落雪花、挑破冷雾,带着6台大戏南下入关,直奔京城。它们是《富有的女人》(辽宁人艺)、《少年周恩来》(哈尔滨儿艺)、《喧闹的夏天》(沈阳市话剧团)、《蛾》(哈尔滨话剧院)、《祸》(大连话剧团)和《疾风劲草》(本溪话剧团)。这是多年来未见的景象、猛然间掀起了首都戏剧界和爱好者心中的层层浪花。生活漫溢的舞台东北话剧迎面给人的印象是满台生活,大干世界,色彩斑斓,令人目不暇接。恰似有一股巨大的生活泉
The last winter of the 1980s. Beijing, cold seal the city. However, the friends in the northeast drama industry shook off the snow and burst the cold fog into the capital with six sets of performances going south. They are “rich woman” (Liaoning folk art), “juvenile Zhou Enlai” (Harbin children’s art), “noisy summer” (Shenyang Repertory Theater), “Moth” (Harbin Theater), “curse” Group) and “blast wind grass” (Benxi Repertory Theater). This is a sight that has not been seen for many years, and it has suddenly triggered waves in the minds of the capital’s theater industry and lovers. The stage of life overflowing Northeast drama gives the impression of full life, big world, colorful, dizzying. Just like there is a huge spring of life