论文部分内容阅读
正书因『正』而赋予这种独特的书体以形态上、人文上两种特殊的含义,从形态上说,它必须点画分明、结构完整、平稳其笔、修短有度,以庄矜、均落为尚,偶有欹侧,也必须『复归平正』,更确切地说,讲究『均衡、中和、协调』之美;从人文含义上来说,正书一直作为书法艺术的基础技法训练而加以重视,并上升到人文意义上的『正人、平稳手脚、未学会走、焉学会跑』等做人行为规则。在这两种思维的夹道中,正书越来越『范化』,越来越『法化』。于是,有了中国传统书法艺术法度意义上的四座高峰:颜柳欧赵,在很长一段时期,甚至迄今,它一直与『二王』一样,几乎成为中国书法艺术的代表符号而冲破书法艺术本身的专业界限并为广大群众所熟知,称为中国书法艺术的代名词也不为过。然随着社会的发展,正书
It is because of the “positive” that this unique book is formally and humanely endowed with two special meanings. From a morphological point of view, it is necessary to draw a clear picture, complete structure, smooth its writing brush, In the sense of humanity, it is always the basic technique of calligraphy art Training and attention, and rose to the human sense of “positive, steady hands and feet, did not learn to go, learn to run,” and other rules of conduct of a man. In the middle of these two kinds of thinking, Masahiro is increasingly “standardized” and more and more “legalized.” As a result, there are four peaks in the meaning of Chinese traditional calligraphy: Yan Liuou Zhao, for a long time and even up to now, has always been synonymous with “two kings”, becoming the symbol of Chinese calligraphy art and breaking through the art of calligraphy Its own professional boundaries and well known to the masses, called synonymous with Chinese calligraphy is not an exaggeration. However, with the development of society, is the book