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“国家主题”主要涉及文学主题、题材、意象等多方面内容,并可以以类型化、个性化、动态的视野把握文学与历史、文化、社会之间的互动关系。从文学史的角度上说,1930年代新诗的国家主题由于特定时代而具有自身的独特性。在充分联系时代语境的前提下,本文从“捉住现实”的立场及其主题呈现、“为祖国而歌”的集中表达、“主题”的制约与形式的“选择”、“土地”等意象的意图外化、写作的转向与心灵的真实五个主要方面研讨“国家主题”在这一时期新诗中的表现及内涵,努力在重绘1930年代新诗图谱的过程中,为中国新诗的国家主题研究提供参考个案。
“National Theme ” mainly covers many aspects such as the theme of literature, themes and images, and can grasp the interaction between literature and history, culture and society in a typed, personalized and dynamic field of vision. From the perspective of literary history, the national theme of the new poems of the 1930s has its own uniqueness due to a specific era. Under the premise of full connection with the context of the times, this paper presents from the standpoint of “catching reality” and its theme, “the expression of the song of the motherland”, “the restriction of the theme” and the formal “ This paper attempts to study the performance and connotation of ”national theme“ in the new poems of this period through five major aspects: the intentional externalization of images such as ”“, ”land " and so on. In the process of the new poetry in the era, it provides a reference case for the research on the national theme of Chinese new poetry.