论文部分内容阅读
意义本身是否存在“意义”正是下一步还要讨论的话题,就像周星驰在《国产凌凌漆》中的经典台词一样“不错,飞是小李飞刀的‘飞’,刀是小李飞刀的‘刀’。”——否定之否定似乎正是“语言”最为魅惑的瘙痒之处。当王兴伟在90年代开始以艺术家身份进行创作时正是“现实主义”、“玩世现实主义”以一种“反叛”姿态迅速崛起的时刻。回顾90年代初的社会文化,处处充斥着王朔《顽主》的气息,冷嘲热讽的背后不断投射出对现实的绝
Meaning itself is there “meaning ” is the next topic to be discussed, as Stephen Chow in the “domestic Lingling paint” in the classic lines “good, fly is a small fly Li Fei ’s knife Is the knife of the little Li knife. ”- Negation of negation seems to be the “ language ”the most fascinating itch. When Wang Xingwei started to work as an artist in the 1990s, it is precisely the moment when “realism” and “cynical realism” emerge as a “rebel” posture. Recalling the social culture of the early 90s, always full of Wang Shuo “recalcitrant” atmosphere, cynically behind the constant projection of reality