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中华民族被称为是一个诗歌的民族,在文学的发展的整个过程里诗歌这种文体一直被认为是纯文学的题材。伴随着诗歌的发展历程,七言诗这种文体在汉代已经出现。但是在汉代的时候七言诗被称为言不称为诗。七言诗在汉代的地位是不能和五言诗和汉赋相比的。到了曹操以后七言诗的地位逐渐才上升到正统文学的地位。为什么七言诗在汉代被称为言不被称为诗?文章从七言诗本身在汉代发展的特征,当时的社会背景和文学的发展历程探讨这个问题。笔者想从七言诗的这个问题中寻求其它文学体裁发展的共同规律,由于视野和知识的限制,只是做了一些努力试图阐释出自己的观点。
The Chinese nation is known as a nation of poetry. In the whole process of the development of literature, the style of poetry has always been regarded as the theme of pure literature. With the development of poetry, the style of seven-character poem appeared in the Han Dynasty. However, in the Han Dynasty, the seven-character poem was called a poem. The position of seven-character poem in the Han Dynasty can not be compared with the five-character poem and Han Fu. After Cao Cao, the status of seven-character poem gradually rose to the status of orthodox literature. Why did not the seven-character poem be called the poem in the Han Dynasty? The essay explored this issue from the characteristics of the development of the poem itself in the Han Dynasty, its social background and the development of literature. The author wants to seek the common law of the development of other literary genres from this problem of seven-character poem. Due to the limitations of vision and knowledge, the author only made some efforts to try to explain his point of view.