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在李可染笔下,薛涛是持重而端凝的女子:她手持一卷,神态俨敬,似有所思。李可染以把西方油画的技法融入到传统中国画而著称,而这幅作于1947年的薛涛像,从人物的云髻妆束和姿态,却是纯粹的中国传统人物画,但其笔锋更为简练,仅用简单、流利的衣褶勾勒出优雅体态。其座下石用顿挫之笔,浅着轻就,淡墨从容,坚实凝重。种种对比,似又与传统中国人物画略有不同:于优雅中见深沉,于深沉中见远思。
In Li Keran pen, Xue Tao is a heavy and condensate woman: she took a roll, demeanor, thoughtful. Li Keran is known for integrating western oil painting techniques into traditional Chinese paintings. This portrait of Xue Tao, made in 1947, is a purely traditional Chinese figure from the clouds, but his writing style is more concise , Only simple, fluent clothes outline the elegant posture. Stone under his seat with frustration, light light, light ink calm, solid dignified. All sorts of contrasts, like again with the traditional Chinese figure painting is slightly different: deep in elegant see, deep in the far thinking.